Seeing is believing
4/2/99
I've tried four times to write this review for The Matrix. I realize now that I failed because I was intellectualizing this movie, researching its thematic elements (which go back to Plato and Buddhism), analyzing its visual sources and ... This is stupid. What I should have been writing is this:
Aaaaahhhh! The Matrix is the coolest movie I've seen in years! The coolest movie since Raiders! Wahhooo! I've seen it now twice in the last 24 hours - top that! - and if someone came up right now and said, Hey, let's go see The Matrix, I'd plunk down another $7.75! Whooooosh! I wanted to see this movie since first seeing the preview - wanted VERY BADLY - and I wasn't disappointed. It has a helluvalotta visual panache, the action scenes are exciting - the sound effects track rivals that of Saving Private Ryan (well, not really, but it's close) - the helicopter explosion is the most gripping I've ever seen on film. And Keanu? He's fine - he's the same guy we saw in Speed and Johnny Mnemonic, convincingly saying things like "Whoah" and "Yeah, sure" and even "Get me the hell out of here!" What am I talking about? I didn't see this flick to see Keanu! I went to see federales punching out fistfuls of marble and concrete with their bare hands - to see kung fu with ridiculous 3-D freeze-frames of a beautiful woman in tight black leather flying through the air - to see racks of uzis and AK47's appear out of nowhere - to see Keanu have no mouth when he must scream. Man, this movie rocked the house.
Pant, pant, pant.
Now, I should try to collect myself. A friend asked me a couple days ago if I thought the movie would be just a triumph of style over substance, just another brainless Hollywood action movie, with big dumb Keanu instead of a big dumb rock or a big dumb dinosaur. Well, having caught my breath, I am pleased to report that this movie, in addition to its truckloads of stylistic chutzpah, has a lot of substance, too.
(Spoiler warning! If you don't want to know how this movie justifies all its stylized mayhem, don't read anymore. Instead, do like Harry Knowles says and (I'm paraphrasing) stop fooling with your computer, get off your tush, and walk 20 miles, steal a bicycle, hijack a bus, quit your job if you have to-- but get yourself over to a movie theatre RIGHT NOW, because THIS is the movie we've all been waiting for!
Let me catch my breath again. OK. Now. A problem with science fiction movie reviews is the critics' expectations. Some assume science fiction = fluff. Others compare every new SF movie to 2001. Some reviewers called Dark City simplistic and cartoony; others, overly complex and convoluted. Surely some reviewers will be bored with the exposition in The Matrix, but I found it an intriguing contrast to the action - something for everyone. [I like some meat in my movies. For me sci-fi = science fiction minus ideas. I like science fiction, not sci-fi. Now you know.]
The movie's central idea is this: it is now around 2199, and back in the early 21st century, a war broke out between humanity and an artificial intelligence (AI) and its mechanized minions. Because AI used solar power, the humans scorched the atmosphere to block the sun. In response, the AI found that it could collect power from the electrical impulses in human brains and BTUs generated by body heat, combined with a form of fusion. After winning the war, AI grew people artificially, like crops in a field. People are cocooned in vast arrays, where they mentally exist in a shared virtual world (much like a group of sci-fi geeks all simultaneously reading the same Star Trek novel, snicker snicker). The virtual world, called the Matrix (doncha know) looks just like 1999 earth, but like Star Trek's Nexus is an alluring drug, an illusion, a dream, shadows on a cave wall. In essence, each human is a slave living meaninglessly in a virtual environment - nothing more than a Duracell. Morpheus (Laurence Fishburne) is a leader of a band of "unplugged" humans who've escaped the Matrix, and he thinks Neo (Keanu Reeves) is the new messiah, called The One, who will likewise rescue all humanity. Morpheus, Neo and other humanized rebels can re-enter the Matrix and can run up walls and dodge bullets because the Matrix is virtual and physical laws don't count. Heady stuff this, for an action movie.
What am I talkin' 'bout? Ahhh! I've got off the main topic, which is why this movie is so darn cooooool. Cool! Cool! Cool! Like Fishburne says in the preview, you have to see it for yourself. And when you do you'll see visions that burn themselves into your consciousness... The image of billions of human beings cocooned in arrayed hibernacula that recede into infinity - this is an image I will carry with me until the day I die. This is the sort of roller coaster movie that breaks you down, pommeling your head with loud music, blinding you with intense images, numbing your senses, and the only thing you can say afterwards is, That was cool. I want to see The Matrix over and over again until it becomes my Matrix. Gimme another hit.
Scoring:
Style: 9/10 (I would have gotten a 10 if the bad guys didn't look just like Tommy Lee Jones in Men in Black - but the good guys' hovercraft Nebuchadrezzar and the robosquid sentinels are nifty designs.)
Substance: 7/10.
Overall coolness level: 8.5/10. [After seeing this movie again on DVD, I have to change my score to 9.5/10. This flick was uberkewl. FW, 11/7/99]
Sequel probability: High, considering the large and enthusiastic crowds. All signs point toward a visit in the sequel to Zion, the last remaining human city, which AI is desperate to find and destroy. Can't wait to go there. So, hey you guys, you made a great movie, now make another one! I want more more more!
Agree or disagree? Let me know.
Comments from Duncan Long (April 12, 1999):
I agree... The Matrix was fantastic. I've seen it twice -- something I don't think I've done with a movie since the very FIRST Star Wars back more years than I care to remember (almost 20!!!!). I found it interesting that the basic plot is of a Christ figure who gives his life for his friends and is raised back to life with a kiss from a character named "Trinity." And that the last human beings are safe and hidden in a town named "Zion." In the end the Christ figure then leaps back into Heaven.
It's also interesting that this same basic plot was the basis of The Day the Earth Stood Still -- and (of course) there were the many religious points in the recent 5th Element.
Plot holes -- there were some in Matrix. For one thing, if the bad guys can make a guy's mouth go away, why wouldn't they do that with his eyes when the fight got to going against them? We didn't see anything else involving this "power" -- making it feel like a cheap gimmick in retrospect (albeit, an effective one). Ditto with the "bug" in this stomach. I suspect that these two effects were created by the writers BEFORE they'd set up the parameters for the abilities of the Smith programs. (I've done this sort of thing myself when writing -- ideally you try to go back and change things so they fit, but these were such neat effects, I can see why they left them there and most people forget the scene by the time we get to the middle of the pic anyway).
Second, the power given off by a human being compared to the energy needed to feed and care for them HAD to be coming up for a deficit. And that the AI couldn't come up with geothermal, nuclear fusion, or whatever seemed a bit hard to buy.
Finally, it was a little hard to see how you could pull the plug on an operation like this. Imagine all those folks suddenly waking up in their "coffins." What next? Billions of deaths. You'd have to leave most plugged in for the rest of their lives, I would think (not THERE would be a dilemma).
BUT... These are pretty small drawbacks. The movie more than makes up for it. Just the shoot-out scene is going to be hard to beat in years to come. And the scene of machines "picking" human embryos, the rows of coffin containers for as far as the eye could see, and the squidies cutting into the hull of the Nebuchadrezzar was worth the price of the movie.
Hey, and don't forget the new Star Wars trailer that we got to see as well.
Keep up the good work. Always fun to visit your page.
-- Duncan Long
My response to Duncan's comments:
Yeah, Duncan, I thought about the religious aspects of The Matrix, too. Neo - interesting name: Neo meaning "New" as in "New Testament"; Ebert also pointed out that Neo is an anagram for "One." Trinity, Zion, .... Hmmm. Can't wait to see Zion in the sequel (if there is one).
I hadn't thought about the idea that Agent Smith could have made Neo's eyes "go away" during a battle - I guess I was mainly thinking that the scene with Neo's disappearing mouth was a reference to the Harlan Ellison story "I Have No Mouth and I Must Scream" - just kind of a throwaway gimick/reference. Have you read it? If you haven't, I STRONGLY urge you to.
I also thought that human beings would be an inefficient generator of energy - but, as in Ellison's story, perhaps AI might be keeping people around basically so that it can torture and fool with them - like the archetype child (AI) overthrowing the parent (humanity), but keeping it a prisoner, the way that the Olympian gods kept their parents the Titans locked in prisons deep inside the earth.
I think though you're also right about certain images being hard to beat for years to come. I heard someone say that The Matrix is going to set the standard for actiony science fiction movies for a long time, and I believe it.
In the final analysis the thing I really liked about The Matrix is that virtually no opportunity for coolness was missed. To think... In baseball, every at bat is a chance for greatness... When making movies, every frame is a shot at immortality, a chance (which hardly any of us are given) to make something startling, searing, mind-bending. In all of The Matrix, there were plenty of times when they could have been on auto pilot - but they weren't. The squiddies, the harvester robots, and the Nebuchadrezzar could have been throwaway designs - they were on the screen only briefly - but they weren't - they were cool. The way Agent Smith lands after his jump, holding his gun, the way Trinity falls down the stairs and then pops out two guns, the sheer number of acupuncture needles -completely unnecessary and completely cool. They didn't have to make Keanu Reeves' mouth go away, but it was cool that they did. That was the thing about Star Wars - no opportunity for coolness was missed. In the costumes, the music, the editing, the details that fleet across the screen... If you weigh plot-cohesiveness v. coolness on the balace scales, I always say go for coolness. I think that's what the makers of The Matrix did. No opportunity for coolness was missed. It's an idea I try to live up every day, and fail every day. Gotta keep trying.
Frank
Comments from Charles Hill
The reason the agents could seal Neo's mouth in the beginning was because he was still part of the matrix. They have control of the people in the system but not of the people who have been unplugged.
Comments from S.M. White
Oy.
Not only are you all reading into this too much, you're looking past the obvious faults of the plot.
1: The entire concept of aliens projecting a world for the humans is without purpose. If the aliens are so ruthless, why be so considerate of human psychology?
2: There seems to be a great mystery surrounding how exactly the first of these Matrix rebels happened upon the system. They proceed through the elaborate process of awakening someone who possesses the strength to rebel against the system, and then have them awaken in the very world they were in whilst in the pseudo-cryogenic slumber.
3: Once again, we have an interesting plot with a great deal of intellectual potential which is blown on cheap, catchy dialogue and one-liners that sound like something out of a 70's B-movie. So, instead, they fill dialogue that remains with cryptic, almost Zen-Buddhist statements. A shame.
4: The fashion. Why is it that fashion is so important while you're trying to save the world?
5: The entire sequence with the robotic navel insect-like creature is a rip-off of the "Custodian" which appears on the animated series "Aeon Flux". In the end this is another overblown science fiction movie which further explains why science fiction is STILL not a respectable literary field. It's a terrible shame and a great burden on SF writers like myself. Our image is constantly being distorted by films like this.
S.M. White
Comments from Claude Felizardo 5/11/99
Subject: the matrix - book?
just read your review (and follow ups) about the matrix. loved it. the movie, the reviews i agreed with for the most part.
anyway, have you heard anything about a novelization? thought it would be kinda neat to see how someone tried to explain stuff though i noticed that you and the others discussed some of the things i was wondering about as well, ie, the bug, mouth tricks before and after, etc.
cool site.
My response to Claude Felizardo:
Hmm. Thanks for your email. I just checked Amazon.com. Nothing - no novelization of The Matrix. Did a quickie HotBot search too. Zip. Now that you mention it, I would be really curious to read a novelization, too. IF ANYONE OUT THERE KNOWS OF ONE, LET US KNOW.
Thanks for visiting.
Frank Wu
Comments from Jeremy Sullivan 5/13/99:
So I saw the Matrix last night. It was un-freaking-believeable. One of the best sci-fi flicks I've ever seen. I was thinking about it in comparison to Blade Runner. I like Blade Runner, both the original and the director's cut, but I've never really been sure why I liked it. As good as it looks, there's really not much of a story that interests me, you know? Rutger Hauer's speech at the end was fantastic (he ad libbed that whole thing by the way) but I just don't think it's a great sci-fi movie.
The Matrix is just as cerebral as BR, but then you throw in much, much, much better action, and OH MAN! I cannot think of one thing that I thought was weak in this flick. And still, I don't know if I want to rush out and go see it again. I was really paying close attention to everything that happened on the screen, and I don't really feel like I missed anything. This may be the first movie I purchase when I get a DVD player though.
Jeremy
Comments from Douglas N. Stewart 6/11/99:
Subject: response to S.M.White
White writes:
1: The entire concept of aliens projecting a world for the humans is without purpose. If the aliens are so ruthless, why be so considerate of human psychology?
My response:
The agent describes in detail that the humans needed to be imbedded in the matrix to be kept conscious, to be kept alive. The world that existed in their slumber prolonged the duration of their electrical value.
White writes:
2: There seems to be a great mystery surrounding how exactly the first of these Matrix rebels happened upon the system. They proceed through the elaborate process of awakening someone who possesses the strength to rebel against the system, and then have them awaken in the very world they were in whilst in the pseudo-cryogenic slumber.
I respond:
The first "one" had the ability to "remake the matrix as he saw fit." This is an allusion to the lengthier story of how he first broke out. Secondly, they had to release him in the "real" world to train him, and did so based upon the recommendation of one who could see the future.
3: Once again, we have an interesting plot with a great deal of intellectual potential which is blown on cheap, catchy dialogue and one-liners that sound like something out of a 70's B-movie. So, instead, they fill dialogue that remains with cryptic, almost Zen-Buddhist statements. A shame.
I respond:
This was their attempt to show the audience that they didn't take themselves too seriously. Let down your hair, put on some old jeans, and watch they Playboy channel on Sunday while smoking a cigar the size of a Buick, and drinking a Pabst Blue Ribbon. Don't take yourself so seriously. The cryptic aspects of the movie keep you guessing what "the Matrix" is, and I'm sure there weren't many that envisioned the elaborate explanation thereof.
4: The fashion. Why is it that fashion is so important while you're trying to save the world?
My response:
It's 1999. Would you prefer polyester leisure suits? It shows an almost fanatical devotion to make each and every part of the movie as cool as @#$%ing possible.
5: The entire sequence with the robotic navel insect-like creature is a rip-off of the "Custodian" which appears on the animated series "Aeon Flux". In the end this is another overblown science fiction movie which further explains why science fiction is STILL not a respectable literary field. It's a terrible shame and a great burden on SF writers like myself. Our image is constantly being distorted by films like this.
My response:
The lightsaber, storm troopers, and Darth Vader all reek of modernized ideas taken from the BBC series "Dr. Who". Guns that "pop-out" of people's sleeves are copied from old westerns. The "Get kung fu punched, step back, rub your mouth with the back of your hand, look at it, and say Uh?" maneuver is such a kung fu stereotype that Jim Carrey makes fun of it in "Dumb and Dumber". Science fiction movies use modernized devices like these to charm Science fiction fans, to give them a new version of something "classic". It's the same reason Hollywood remakes films like "Psycho" and "Great Expectations". For God's sake, almost everything that Quentin Tarantino does is from some old "B movie". As far as the bad reputation that it gives sci-fi writers... well, I know the guys that wrote The Matrix are depositing their million dollar checks with a very heavy heart.
Comments from mmstermi
Well, I'll say a few things about this movie. I thought Keanu was HOT as usual. I enjoyed it so much I saw it twice. About all the reviews, I am so glad I have a mind of my own to decide what I think of a flick, and don't depend on someone else to tell me whether or not I'll like it. It seems to me the reviews that bash Keanu the most are the ones who never cared much for him in the first place. So do yourselves a favor, GET A LIFE! For those of you who like Keanu, and some action, and some really cool effects, go see the movie, judge for yourselves, and make your own opinion. After all, you do have your OWN mind, do you not?
Comments from Stephen Friedman
Subject: Whoa...
Your review is one of the best (read: most in tune with my own sentiments
regarding this film) I've ever read. Very few people seem to be giving this film
a bad review and, gee, I wonder why? Could it be that the movie simply kicks
some m/n ass?! F/n a! I've seen the film eight times and I am still not sick of
watching it! I have NEVER seen a movie in the theaters as much as this one,
ever. I've heard of people doing stuff like this, but this is a first for me. I
still get pumped up every time I see the theatrical preview on my computer or
read a review or even look at some images or visit the web site. I know sequels
usually suck, but I'm eagerly awaiting the matrix sequel. It is actually STILL
PLAYING at a theater in Cambridge, Mass., so perhaps I will go see it again this
week. hehe. Also, according to movies.excite.com, it's playing on an IMAX
theater in San Antonio Texas. Wow. I've almost considered flying out there to
see it on that big beautiful IMAX screen.
I dunno. I don't have much to say other than I'm with you 100% ... oh, cept I'd
give the movie a much higher rating given my stupid fervor-blinded love for the
film. Anyway, must go. Hey, if you're in Mass anytime soon, gimme a call and
we'll go watch the Matrix in Boston.
(PS) To further magnify my insanity, I've actually considered renting/purchasing
a theater in order to continue to show the Matrix in its proper format,
film. Watching the DVD left me thoroughly disappointed and with a deeper
appreciation for film than I have ever known.
Stephen Friedman 413-545-1848
From Thom Brisson
11/7/99
I loved the flick. It has been a fascination with me ever since I saw it this
spring. But only after I rented it a few times did the deeper meanings in it
really hit me. You and Duncan Long both talked about the religious points in it
and that's what I really saw that fascinate me.
I am a Christian and the Bible teaches that the ruler of the world here on earth
is satan. He has been the ruler ever since Adam and Eve fell. So the world we
live in is ruled by him and I believe he creates a form of the Matrix for us to
live in. Think about it, our society teaches people to become slaves. From our
teachers in school to our bosses at work, the media, the government. We are
conditioned to go along with the group, don't think for yourself, don't work for
yourself, don't stand up for what you believe, just go to school, listen to what
they tell you there, get a good education (even go into debt to get it), get a
good job for somebody else and be an employee for the rest of your life. Working
for someone else is nothing more than voluntary slavery. But we go out and do it
because we are all slaves to our own mental images of who we are capable of.
Ideas that we have accepted about ourselves that were programmed into us by the
environment around us.
The society that we live in here at the end of the 20th century is nothing
like the world that our country's founding fathers would have wanted. What does
this have to do with The Matrix? Morpheus had a team of people who were
"unplugged" from the Matrix. They could all go into the Matrix and act
as free agents to some extent although Neo was the only one who ultimately was
able to be totally free. We also have, deep inside, the ability to act as free
agents in our own Matrix. But just like Neo had to be shown the true nature of
the Matrix, we must also be shown the true nature of our Matrix. And after Neo
was shown the Matrix by Morpheus, he had to accept it as the truth. Remember
when Neo flipped out and then puked that cool white crap all over the wires and the floor grates of the Nebuchadrezzar? Then back in Neo's
room Morpheus says to him "I'm sorry, We never unplug a mind after a
certain age because sometimes it has a hard time letting go." Neo accepts
the TRUTH and then he can begin to grow and learn. I believe that it's only when
we accept the TRUTH about our world can we begin to grow and learn to change our
world around us. Then you future is in your hands, your life story can be
written by you alone if you choose to.
But it's not easy to go forward and change your world, your Matrix. It's easier
to stay in your comfort zone, your predictable world in the Matrix. And even
after your "unplugged" there's the desire to be back in that old
comfort zone. That's why the traitor (can't remember his name) sold Morpheus out
to Agent Smith. So he could be plugged back in and forget about all the
struggle.
That's just a few point that I thought were interesting in the story line. I
loved the visuals and I don't think we will see some of the effects that were
used in very many other movies because the way the story line had them doing
things that were outside the laws of physics was cool but most movies will have
to stick to those laws.
I'd be interested to hear if you agree with me or think I'm a nut.
Sincerely, Thom Brisson
My reply to Thom Brisson:
More from Thom Brisson [mailto:briss642@inreach.com] 11/10/99
Comments From MARK ASPROYERAKAS [mailto:chieftatelli@compuserve.com]
11/18/99
Subject: Matrix movie review
MATRIX SYMBOLISM KEY
MATRIX is a positive and realistic exposé of several Biblical Doctrines
concerning; the Angelic war, belief and subsequent spiritual rebirth, Faith and
how it develops, the power of Faith and how it develops, demonic possession and
demonic control of humans, the relationship of the Church to the world, the
relationship of believers to non believers, and the coming replacement of
Satan's world system with Gods system.
In MATRIX the character Neo is cast as a Messiah. Katzinzakies in his book 'The
Last Temptation of Christ' and the subsequent movie based on the book by
Scorsese, developed the character of Christ as not knowing and or doubting that
he was the Christ. This is the same model used by the filmmakers. This of course
is not the Biblical Truth. The Messiah without doubt knew who He was when He
came 2,000 years ago. When He returns, and in the case of MATRIX it is an
depiction of the return visit, He will destroy this world system and set up His
system of Truth.
So, the basic plot is as follows. I will use " "
marks to tie a plot idea to Biblical Doctrine. A man known as Neo lives in a
large city working in a software company. He has for a long time believed that
there was something behind what most humans take to be reality. This
thinking/exploration has drawn the attentions of personalities on both sides of
the "angelic conflict" who contact him. He has encounters
with both. Neo by makeup is of the "Truth". So when he again
encounters the character Morpheus and is "witnessed to" by him, Neo
makes the "conscious intellectual decision" to believe. That decision
is illustrated by the ingestion of a colored pill. Neo then undergoes the
process of being "born again". This birth takes place in a coffin like
apparatus when he is disconnected from the mechanical connections that have been
sucking his energy while his true consciousness is actually asleep. His true
self had been asleep while his mind was occupied by the Matrix. As part of this
sequence he views millions upon millions of other coffins of sleeping humans
before being expelled into a sewer like tube. He is then plucked from the sewer
and raised aloft in what is a visual pose of crucifixion. Now as a new man among
the company of Morpheus and the other "saved", he sees himself and the
world as it really is. They are a church. He then begins the process of
absorbing information, "Doctrinal Truth", through "the
Churches" computer system that can be directly linked to his mind through a
plug in his neck. Having absorbed a sufficient amount of Doctrine, his next step
in growth is to learn what "Faith" is. This development of faith
starts in martial arts training and is ongoing throughout the film
continuing right up to the end. As Neo develops in Faith, he then begins
to manifest the relationship between Faith and power in the physical world.
Little by little he comes into himself and the power that flows through him
because of his faith.
The "Church's" opponents are called agents, "the Devil and his
demons". They are the "rulers of the world" and they rule it by
maintaining the veil of a "great lie" in front of the eyes of humans,
also called the Matrix. In the words of the character Morpheus (and St. Paul),
"all humans are born into slavery". The demons create the illusion
through the Matrix that the humans are in control of their lives, progressing
forward in a free world. But in reality the humans are being kept from reaching
their spiritual potential. They are trapped in coffins, both mental and
physical, oblivious to their true selves. This lie/Matrix allows the demons to
suck the life energy out of the humans until the human no longer creates energy,
i.e. "physical death". They are then flushed into a sewer. The
body, along with the human soul by implication, is then discarded and lost
forever.
Some additional parallels in the plot are: The Church holds the codes to a
hidden city named ZION. Zion is a city of Truth and will be the future
habitation of all believers of the Truth. The demons are after the code in order
to destroy Zion because it represents the one system, "Gods system",
that will defeat and replace the Lie/Matrix with a system of Truth.
There is a Judas figure who, as the real Judas did, consciously chooses to live
in darkness instead of the light. At one point he states that he prefers the lie
of the Matrix to having to accept the authority of the church and its leadership
by Morpheus. The perfect example of the pride that caused Lucifer's fall and
keeps humans in slavery.
The ship where the Church resides is named Nebuchadnezzar. Who as we know from
the book of Daniel, was an instrument of God. Nebuchadnezzar King of Babylon
eventually became a believer in the God of Abraham. He provided a temporary and
comfortable housing in Babylon for Judah until their eventual return to the Holy
Land.
The jump sequence illustrates Matthew 14:24-32 where Peter walks on the
water towards Christ. Peter only begins to sink when he looks down and
focuses on the waves, the darkness, and his fears instead of Christ. Christ then
pulls him up and says "you of little faith, why did you doubt?"
The women in red sequence and the later explanation of it by Morpheus depicts
the believer's relationship to other non-believing humans in the present world
system. She is also symbolic of the multitude of distractions in the world that
lead one away from themselves.
The final short scene in a phone booth with monologue has Neo describing the
potential of regenerated man. He then emerges from the booth and flies up
into the sky illustrating the freedom from limitations of his new person and
body both physical and spiritual. It is the same type of "Glorified
body" that Christ now has and the Bible promises all believers will receive
when He returns.
When looked at closely in relation to Biblical revelation, there are holes and
inconsistencies in the plot and behaviors of the MATRIX characters. But I think
most will agree that in general it is refreshingly, and powerfully close.
Asproyerakas 4/99 revised 7/99 (The Bible not religion)
From: Soulis Aslanidis [mailto:soulis67@otenet.gr]
1/11/00
Subject: ?
?...................Do we believe in The MATRIX ?
My response:
Yes!!!! Yes!!!!! Yessssss!!!!!!!!!
From Katrina Coolbaugh 12/15/01:
When The Matrix first came out, I really didn't care about it. But one night, about 10 mos. ago, I was babysitting and the movie was sitting there, so I decided to give into the hype and watch the movie. When I saw it I was amazed. It was one of the best movies I have ever seen. The movie was on DVD so I began to watch the movie with the commentary. This just sucked me deeper into the hole. When there was a nearby movie rental place going out of business, I bought the DVD and have watched it around 150 times since (literally). When The Matrix Revisited came out, I bought it. I have been looking into all of the little details that have been carefully placed. When reading your review, I was amazed that you did not give it 10's across the board. This movie is and will be one of the best movies of all time, as I am sure that the sequels will be just as good. Well, that is my comment on your review and I hope that you appreciate my input. If there are any profound things that you have noticed about the movie, or if you have heard anything about the upcoming movies, email me and let me know.
Thanks,
Katrina Coolbaugh
From Ryan and Jacob, June 27, 2002
There is something extremely
wrong with every single person in this world. They seem to be part of a
pointless simulation.
"The Matrix" has portrayed this idea somewhat, yet we watch it and go back to
our daily lives. Yet in this
very life, underneath the seeming diversity in people's opinions, values,
talents, and interests, there is something that makes everyone the same. It is
as though this planet is populated only by mindless fakes, objects that provide
the appearance of intellect on the surface but are based on only mechanical
reflexes and primitive thought patterns.
I don't really care if anything I say has been said before, if it was portrayed
in movies, in books, or in the lyrics of some useless song. With 6 billion
people covering the globe at any given time, thousands and thousands of years of
written literature, probability dictates almost any combination of words has
occurred numerous times. Yet there is clear evidence there was no action, so
those words, just like the people who spoke them, must have been just more
fakes. I am forced to use this language (also created by the fakes) because
there is no alternative, so everything I write here could be misunderstood to
make me sound like one of them, but it will be the action that I take and the
dedication that will separate me from them.
In my estimation the fakes that occupy this planet don't make up 99%, but more
like 99.9999999% of the population. I know this because I've searched, and in my
search have so far only found one true ally (I have found him via the internet
as well). But even with those numbers we would not give up because there is no
logic in giving up.
The people on this planet are all fakes because the societies have made them
this way. Ideas that populate people's minds have no logic or purpose. Concepts
such as religion, god, morality, individualism, freedom,
identity, happiness, love and billions of others are all just memes. Like
parasites they infect the minds and spread from one person to the next. They
have no point or purpose; they exist without any logical basis or foundation.
The fakes are completely controlled by them, and they will never see beyond
them. To not be controlled by them one must do more then just realize that they
exist. One must resist any ideas that have no point, endlessly question, and
never accept imperfection or compromise in any answer.
We (myself and my ally) are different though. While we have had the limitation
of existing only in these societies, something has made it possible for us to
resist being indoctrinated into becoming one of those fakes. We have no
arbitrary wants, needs, desires, or preferences.
If this world continues to exist the way it is then nothing in it will ever have
a point. It will always be just a product of random evolution, one with no
importance or relevance. The only logical goal is to dedicate our lives to
increasing our numbers, those that aren't fakes, so that in thousands of years
our numbers may be such that the fakes would no longer be a threat to progress.
Those that join us must see every other person occupying this planet as the
enemy, and us as their only allies. Like us they must have dedication only to
taking the most logical action, and to nothing else.
To tell you more about us, we've posted some personal information about
ourselves on a website. You'll also find past responses to us on that webpage.
Obviously anyone reading this email is most likely just another fake. Do not
simply reply to this email, if you do your message will almost certainly be
ignored. If you do wish to communicate, first demonstrate your interest by
taking the effort to find us online, one of the ways to do that is described
below.
Use a major search engine to search for every combination of any two words from
the list below. The order of the words shouldn't matter as long as you do not
search for them in quotes. Also when you pick the right combination you
shouldn't need to look at more then the first matches.
There is no trick to this and this isn't meant to be quick, it should, however,
be fairly clear if/when you find the right site. The following search engines
were verified by us, please use any of them as other search engines may simply
not list us correctly: MSN, Lycos, InfoSeek, FastSearch, LookSmart, HotBot,
InfoSpace, Ask.com, AllTheWeb, Teoma, WebCrawler, AltaVista.
perfect
theory
endless
eternal
desire
ambition
driving
perpetual
idea
logical
infinite
dream
final
best
escape
objective
thought
only
logic
clue
If this can't be solved, or if you never reach us, there should be no reason for
you to give up as we will never give up and thus there will always be some way
to find us.
--------------
Ryan and Jacob
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